Singer Michael Bubl on his musical choices, inspirations

Michael Bubl: And that's I think that's my favorite thing about all of it. And I think it's I have a very cinematic way of looking at music, at songs that I think are very visual. I think it's one of my favorite things about music is, is what I love about cinema. It's it's

Michael Bublé:

And that's I think that's my favorite thing about all of it. And I think it's I have a very cinematic way of looking at music, at songs that I think are very visual. I think it's one of my favorite things about music is, is what I love about cinema. It's it's the one place where all of us, cynical people, especially if we go to a movie theater, it's that one place where we drop that sense of cynicism and we allow ourselves that childlike wonderment that we see in our kids, you know? Yeah. And and for a little bit, we, we drop the facade and we allow ourselves to believe that the good guy wins and that, you know, Superman can fly and that and that that romance can happen for all of us. And I, I love that part of cinema, and it's what I love about music. It's why I hear a song like Cry Me A River, and I come up with that, you know, that arrangement because I hear this very cinematic, dark, yet beautiful, almost revenge song. Very bond to ask. Yeah. Or I sing something like on the last record I think I did La Vie En Rose and I right away I was like, okay, I see this. It's me. And I think this is a partner of mine. We're walking through the streets of Paris. I'm an American in Paris singing my heart language. I meet her, I fall in love. And as you hear the song, as I explain it, you can sort of see visually how that starts to inform the arrangement, how it how it changes. And for me, it's cool for me to do interviews because I love talking about, you know, you know, especially when I have a new record come out and I go, Oh, and then this song, that's what this song is about. So this is the cinematic moment even like this show is very cinematic. I mean, the opening of this show, my musical director and I, Nicolas wrote this massive big starting I don't know what you call it, this crazy theme that in a way I think just builds so much anticipation that I sort of lay a foundation of what you should expect in the arena. You know, it gets really it's very dramatic. And, yes, I just I guess I'm a dramatic dude in that way. Yet in the rest of my life, I'm easygoing, but in that artistic life, I am. Yeah, I'm really, really dramatic.

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